40 do Valley State College, cordially invite you to attend a DICKENS EXHIBITION. April-May, 19^2. Honoring the 150th Anniversary of Dickens' Birth. The exhibition, one of the most comprehensive ever assembled in Southern California, elucidates Dickens' life, art, and influence, and includes many hundreds of portraits, autograph letters, photographs, carucatures, special editions, illustrations, schoolbooks, toys, manuscripts, imitations, songs, documentsmementos and other items. Assembled and annotated by Dr.Harry Stone, assistant professor of english Admission free. o There was something to him, inexpressibly improper about, a king who spoke like Sam Weller. (island, by Aldous Huxley, page 123). o Wij ontvingen van de uitgeverij Longmans te London een cir culaire waarin het verschijnen wordt aangekondigd van „The Dickens Library" en waarin o.m. te lezen staat; The books in this new series are edited and adapted by Doris Dickens.This venture has the warm approval of LESLIE STAPLES, editor of The Dickensian. JOHN GREAVES, secretary of the Dickens Fellovw- ship and a well-known lecturer on Dickens, has also helped to formulate the scheme. Furthermore each book will have illu strations and a pictorial cover by Ronald Searle, who de scribes his interpretation of Dickens's characters as "tra ditional and fresh". His drawings revivify the text as well as embellishing the books. Doris Dickens, who is a great- granddaughter of Charles Dickens, teaches in a Secondary Mo dern school THE DICKENS LIBRARY originated as a result of an experiment with a mixed class of thirteen-year-olds. Each week she prepared two chapters of Great Expectations - re shaping difficult phrases, cutting where Dickens had clearly "padded" for serialization, but always keeping the even flow of the narrative and the original style. When she read these to the class, they followed eagerly and there was no need to break the thread of interest by pausing for explanationsThe same reaction was reported from other classes and from other schools; it was obvious that there was a need, not for potted versions or retellings, but for straight adaptations of the original stories which a young person could understand and

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The Dutch Dickensian | 1962 | | pagina 4