80 makes rather an indifferent parent' (Ch 6, 122). We see that the unsuccesful parenthood that we found to be so prominent in the book returns in structures larger than the family, even including the universe. Irresponsibility is rife. One way to improve things was found on a small scale by individuals who acted responsible where others failed. Society is saved by these people. And their actions, just like the irresponsible parenthood, are raised to a higher level in the book. This is done through frequent reference to the Father in Heaven. He does not forget Esther (Ch 3, 74); Esther whispers to Jenny 'what our Saviour said of children' (Ch 8, 160)and Esther more than once prays to her 'Father in Heaven' (e.g. Ch 31, 495). Doing our duty day by day, with His help, is the one way out of the fog that envelops the society of BLEAK HOUSE. As John Jarndyce says to Richard: 'Trust in nothing but in Providence and your own efforts' (Ch 13, 232). We can only act responsibly when we go hand in hand with our Heavenly Father Who is ultimately responsible. In this analysis of the parent-child relations in the novel and the responsibility theme unfolding in them we get a clear picture of Dickens' narrative method. We can compare it, I think, to the way in which a child learns the meaning of words. It can do this by just simply asking someone for the meaning; but in most cases it will learn what a word means by coming it across many many times in many varied contexts. In the end it will know how and when to use it. This is just the way in which Dickens tells us about the things he wants us to know. He does not tell us straightforwardly what responsibility is like and what its lack results in. He shows us responsibility and the lack of it in an innumerable number of cases, in many forms and in a variety of situations; and in the end we know all about it. And just as the child gets to know the language it speaksse we get to know the world we live in. NOTES 1. Eleanor Rooke isolates 'Fathers and Sons in Dickens' (in Essays and Studies 1951, p 53-69) from this wider theme and concludes (p 69), not entirely convincingly, that 'his various attempts' at treating the Father and Son motive 'with anything approaching the

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The Dutch Dickensian | 1985 | | pagina 82