he became the first English poet, and the last, to get a peerage for his services to literature.) No wonder that Dickens and Tennyson earned more than any previous novelist or poet, both topping 10.000 a year at a time when a young lawyer, say, could marry and live respectably on 200. They advertized their affluence in the traditional English way by buying or building country-houses: Tennyson had two, indeed. Dickens's move to Gad's Hill Place in his later years did not much increase or improve his writings about the countryside. A townsman by birth and upbringing, he has no feel for the socio-economic life of villages, and only a limited response to landscapes and to nature. Here, as in many other respects, Tennyson complements him. Country-born and bred, and living most of his life in rural areas, he is at home with natural phenomena and with Nature conceptually, while he shares the general weakness of nineteenth-century English poetry in failing to deal much or adequately with urban experience. Other differences between the two were related to their family backgrounds. Tennyson came of professional and squirearchal stock, associated with the very conservative county of Lincolnshire; he went to Cambridge and was an intellectual, well aware of the major intellectual cross-currents of the day. Dickens's family was precarious petit- bourgeois\ his education was scrappy, and though very intelligent he was never an intellectual. The two men's responses to a similar emotional crisis is characteristic. In their mid-twenties, both suddenly lost a beloved ypung friend (Mary Hogarth and Arthur Hallam). In In Memoriam Tennyson reflects on how current scientific theories seem to be undermining traditional religious convictions, including of course belief in the immortality of the soul - a range of speculation quite alien to Dickens, whose presentation of the Mary-inspired death of Little Nell is informed by simple traditional The Porch at Gadshill I am reminded of Ulysses' lines in Tennyson's poem: he is leaving his son Telemachus to rule Ithica while he follows "knowledge like a sinking star/Beyond the utmost bound of human thought." Tennyson is the Ulysses-figure, Dickens is more akin to Telemachus, "centred in the sphere of common duties," with "the useful and the good.... He works his work, I mine." Dickens's is a much more secular, practical and social mind (as indeed is common among

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The Dutch Dickensian | 1989 | | pagina 61