Voorjaar 2009 no.66 The Dutch Dickensian Volume XXIX 24 without the loss or transformation of oneself. As Little Dorrit says to her sister Fanny: "If you loved anyone, you would no more be yourself, but you would quite lose and forget yourself in your devotion to him" (LD 494). Bella learns this, but only when she has her reality transformed around her and becomes part of an elaborate dramatic production. Noddy Boffin, who is mercurial in his trans formation of character, acts the part of grasp ing, mean miser and in so doing demonstrates to Bella what a mercenary wretch may become. Bella learns her lesson well, and proves she is "true golden at heart" (821). But Bella has been prepared for the discovery by Lizzie, who tells her what she sees in the fire: not a "limited little b" but a "heart well worth winning, and well won. A heart that, once won, goes through fire and water for the win ner, and never changes, and is never daunted" (565)- Eugene Wrayburn is, self-confessedly, a "ridiculous fellow"(147), an "absurd fellow," according to Mortimer (302), who "know[s] less about [himself] than about most people in the world"(303). When Mortimer asks him what his plans are with Lizzie, "What is to come of it? Where are you going? What are you doing?" Eugene says he would answer that question if he could: "But to enable me to do so, I must first have found out the troublesome conundrum long abandoned. Here it is. Eugene Wrayburn." Tapping his forehead and breast. "Riddle-me, riddle-mee-ree, perhaps you can't tell what this may be? - No upon my life I can't. I give it up." (314) Eugene has no energy, although he tells Mortimer he would show energy if he had "something really worth being energetic about" (22). He becomes energised by Lizzie. He tells Mortimer that he has never taken as much trouble over anything as he has trying to find Lizzie after her disappearance. The ener gy Eugene is referring to, although misdirect ed by him at this time, is the same energy Matthew Arnold talks about in his description of Hebraism. Hebraism, according to Arnold is "this energy driving at practice, this paramount sense of the obligation of duty, self-control, and work, this earnestness in going manfully with the best light we have" (107). Arnold regards Hellenism, on the other hand, as the "intelli gence driving at those ideas which are, after all, the basis of right practice, the ardent sense for all the new and changing combinations of them which are, after all, the basis of right practice, the ardent sense for all the new and changing combinations of them which man's development brings with it, the indomitable impulse to know and adjust them perfectly" (107). He sees these forces as "rivals dividing the empire of the world between them." The governing idea of Hellenism is "spontaneity of consciousness"; that of Hebraism, "strictness of conscience" (109). The "uppermost idea with Hellenism is to see thins as they really are; the uppermost idea with Hebraism is con duct and obedience" (109). Arnold argues that Christianity, "Hebraism aiming at self-con quest and rescue from the thrall of vile affec tions, not by obedience to the letter of the law, but by conformity to the image of self-sacrific ing example (113), saved the pagan Hellenic world from the "self-dissatisfaction and ennui" it had fallen into (114), and thus became the dominant cultural current in Western Europe until the Renaissance, at which time there was "an uprising and rein statement of man's intellectual impulses and of Hellenism" (116). Unfortunately, according to Arnold, in England the Renaissance assumed the form of its "subordinate and secondly side," the Reformation. "The Reformation has been called a Hebraising revival, a return to the ardour and sincereness of primitive Christianity" (116), Arnold argues, and this was the wrong direction for England to take at that time. "For more than two hundred years {since the Renaissance} the main stream of man's advance has moved toward knowing himself and the world, seeing things as they are, spontaneity of consciousness; {whereas} the main impulse of a great part, and that the strongest part, of our nation has been toward strictness of conscience" (119). He concludes that England must go "back upon the actual

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The Dutch Dickensian | 2009 | | pagina 24